“I would point to some of the recent trends in 3D scanning as potential new sites for digital colonialism, not just repatriation. Is prosecution of stolen code related to contested heritage objects a form of digital colonialism? Is keeping the code private, accessible only to the museum or scholars who obtain access a form of colonialism? Is publicly releasing the code while holding tight to the physical object reinforcing colonialism? As this episode tells us, the materiality of these cultural heritage objects holds meaning that cannot be extracted into bits and bytes.”
Source: The Nefertiti Hack: Digital Repatriation or Theft? | Early Christian Monasticism in the Digital Age
Amazing piece of performance art and a very needed conversation…