davidbowie

“Music is the binding agent of our mundane lives. It cements the moments in which we wash the dishes, type the resumes, go to the funerals, have the babies. The stronger the agent, the tougher the memory, and Bowie was NASA-grade epoxy to a sprawling span of freaked-out kids over three generations. He bonded us to our weird selves. We can be us. He said. Just for one day.”

Source: Strung Out In Heaven: A Bowie String Quartet Tribute, by Jherek Bischoff and Amanda Palmer

David Bowie’s track Blackstar off of his same-titled album is my favorite song (AND VIDEO… yowzers) at the moment.

I’ve followed Amanda Palmer for years and have been to a few of her shows. She’s not my favorite marketer, but her cover of Blackstar is goosebump raising. As is her work on Space Oddity, Ashes to Ashes, Heroes etc…

Great work from an artist who “gets it” and isn’t afraid to be herself, which is something we could all learn from her.

Thanks to Elisabeth for turning me on to this.

“‘Mic number one was a valve U47, and with the other two on gates I made sure that number two, an 87 placed about 15 feet away from him, would go on at a certain level, while the third mic, another 87 that was all the way at the other end of the room, didn’t open up until he really sang loud. That reverb on his voice is therefore the room itself, none of it is artificial, and it’s his voice triggering the gates. What is really great is that the sound of the opening two verses is really intimate. It doesn’t sound like a big room yet, it sounds like somebody just singing about a foot away from your ear. The whole idea worked, and what you hear on the record is probably take three. We wouldn’t go beyond that. He was really worked up by then and I can tell you he was feeling it. It was quite an emotional song for him to sing, he deliberated long and hard over these lyrics, and he was ready to go, there was no holding him back'”

Source: CLASSIC TRACKS: Heroes