Category: Literature

Way more people watch TV and movies and listen to music than read books or magazines. That’s why we’re starting to see that Netflix is Netflix, Spotify is Spotify, and ebook and magazine subscription sites are, well, something else.

Source: What Scribd’s growing pains mean for the future of digital content subscription models » Nieman Journalism Lab

You have to be careful of those romance novel readers.

I’ve been fascinated by the concepts of ebook monetization since self-publishing and ebook publishing became a bona fide option for mainstream publishers and authors. It’s one of the reasons I’m excited about what Merianna is doing with Harrelson Press and the ultimate direction we’ve mapped out there (more on that later).

However, it’s clear that a subscription type model from Scribd aren’t the best way forward. The ebook industry is a weird and complicated beast as companies from Google to Apple to Amazon have discovered in their various attempts to become the “Netflix” of this respective market.

Regardless, publishers are going to be the ones that have to change and adapt to make sense of this newish form of reading and producing/consuming content. We’ve seen how the music industry seemingly collapsed during the last decade when singles become the prime selling vehicle, replacing albums. Now, we’re seeing a period of consolidation by the major labels and partners such as Apple or Spotify to allow for the labels to make the most profits from agreements while artists are paid fractions of a cent per streamed play. That will change as artists figure out the game and we see more Taylor Swift’s pushing their weight around the industry.

I don’t think we’ll see a similar contraction / consolidation in the book publishing universe because the tools for making and consuming books are more democratized and the industry is ripe for disruption.

 

Beautiful (and horribly depressing) read:

It is not just that people with degrees in English generally go to work for corporations (which of course they do); the point is that the company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed. While “official” fiction has retreated into comforting nostalgia about kings and queens, or supposed tales of the contemporary rendered in an equally nostalgic mode of unexamined realism, it is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google, and if there isn’t, it doesn’t matter since the operations of that genius and vision are being developed and performed collectively by operators on the payroll of that company, or of one like it.

via The death of writing – if James Joyce were alive today he’d be working for Google | Books | The Guardian.