The World is Too Much With Us

Iambic pentameter courtesy of Petrarch still rings true…

The world is too much with us; late and soon,

Getting and spending, we lay waste our powers;

Little we see in Nature that is ours;

We have given our hearts away, a sordid boon!

This Sea that bares her bosom to the moon;

The winds that will be howling at all hours,

And are up-gathered now like sleeping flowers,

For this, for everything, we are out of tune;

It moves us not.—Great God! I’d rather be

A pagan suckled in a creed outworn;

So might I, standing on this pleasant lea,

Have glimpses that would make me less forlorn;

Have sight of Proteus rising from the sea;

Or hear old Triton blow his wreathèd horn.

William Wordsworth

Maya Angelou’s Partnership with Hallmark

I’d forgotten about this completely… fascinating read:

Billy Collins, then U.S. Poet Laureate and a fellow Random House writer, questioned Angelou’s partnership with Hallmark, the largest manufacturer of greeting cards in the United States and, among the literati, commonly associated with trite expressions.

“It lowers the understanding of what poetry actually can do,” Collins said to the Associated Press. “Hallmark cards has always been a common phrase to describe verse that is really less than poetry because it is sentimental and unoriginal.”

Source: Why Maya Angelou Partnered with Hallmark | The National Endowment for the Humanities


Crescendo of conspiracy until the mounting
Of evidence with harm accumulates on the back.

The Redbird creeks on a branch feeding
In the ice rain over a frozen land finished with white.

Glass covered floors in the palace of Ithaca wetting
The tile with a strange homecoming of fire and blood.

A nostos for the Cunning to a land forgetting
And has forgotten his words and deeds.

The one much prayed for by those in a sardonic mood smiling
The epithets of an ice-frozen heart and spear.

With Polyphemus as his guide and a bag of wind blowing
To take them home to a land for Nobody.

The Two-Headed Turtle resting
On the potions of Hermès to escape the magic of memory.

Only Argos remembers him and joins his standing
In the broken palace that brings libel to the song.

The Cunning beat their chest and sing songs while limping
Away on the promises of an afterlife inside the palace door.