Show and Tell: Handling Art at the Wurtele Center

Sam Harrelson on February 14, 2018

My time with the incredible finds from Dura Europos at the Yale University Art Gallery are some of my fondest memories…

Walking alongside the shelves, one can step from intricate African sculptures to ancient Greek vases to Chinese porcelain to a collection of Picasso ceramics. Opposite the entrance and behind glass display cases are a series of white, metal sliding shelves. They are filled with, among other things, wooden staffs, tea cups and wall fragments excavated from Dura-Europos, Syria.

Source: Show and Tell: Handling Art at the Wurtele Center

James C. Scott’s New Book

Sam Harrelson on February 2, 2018

James C. Scott is one of the scholars I always enjoy reading. I was introduced to his work Domination and the Arts of Resistance: Hidden Transcripts while in a (wonderful) seminary class on the Parables. The insightful connection that our beloved professor made between Jesus’ acts and words in his performance of the parables with the essence of what Scott described as “public” and “hidden” transcripts still resonates with me today anytime I read the Gospels.

I’m excited to read this work as well. Although it seems to have a similar topic as many scholarly takes on the how’s and why’s civilizations collapse, (anyone else notice how both academic works, as well as the entertainment world, is fascinated by dystopias and doom-and-gloom in this Age of Trump?) one of my ongoing fascinations and points of interests is the rise of civilization in Mesopotamia as well as the later “Sea Peoples” of Egyptian history. It looks like both of these topics make an appearance in Scott’s new work:

What if the origin of farming wasn’t a moment of liberation but of entrapment? Scott offers an alternative to the conventional narrative that is altogether more fascinating, not least in the way it omits any self-congratulation about human achievement. His account of the deep past doesn’t purport to be definitive, but it is surely more accurate than the one we’re used to, and it implicitly exposes the flaws in contemporary political ideas that ultimately rest on a narrative of human progress and on the ideal of the city/nation-state.

Source: Steven Mithen reviews ‘Against the Grain’ by James C. Scott · LRB 30 November 2017

Grain counting technologies

Sam Harrelson on December 28, 2017

“The truth, Scott proposes, may be the opposite. What if early civilization was not a boon to humankind but a disaster: for health and safety, for freedom, and for the natural world? What if the first cities were, above all, vast technologies of exploitation by a small and rapacious elite? If that is where we come from, who are we now? What possibilities might we discover by tracing our origins to a different kind of ancestor?”

via “What made prehistoric hunter-gatherers give up freedom for civilization?” by Jedediah Purdy in New Republic

In honor of #nationalpetday here’s a fun piece on pets from ancient Greece and Rome

Sam Harrelson on April 11, 2016

roman_dogs

The ancient Greeks and Romans were more lavish than the modern world in their expressed affection for beasts. Theirs was a splendid opportunity to know animal life at first hand, not because there were more animals, but on account of the very close relationship effected by polytheistic principles and religious customs.1 Both literature and art attest that there were but few animals not dedicated to gods or goddesses; since religion penetrated ancient life so deeply, it is understandable that animals were freely admitted into the house, and gradually attempts were made to transform even the fiercer beasts into pets and companions.

Source: Greek and Roman Household Pets — CJ 44:245‑252 and 299‑307 (1949)

Digital Repatriation or Theft?

Sam Harrelson on March 7, 2016

“I would point to some of the recent trends in 3D scanning as potential new sites for digital colonialism, not just repatriation.  Is prosecution of stolen code related to contested heritage objects a form of digital colonialism?  Is keeping the code private, accessible only to the museum or scholars who obtain access a form of colonialism?  Is publicly releasing the code while holding tight to the physical object reinforcing colonialism?  As this episode tells us, the materiality of these cultural heritage objects holds meaning that cannot be extracted into bits and bytes.”

Source: The Nefertiti Hack: Digital Repatriation or Theft? | Early Christian Monasticism in the Digital Age

Amazing piece of performance art and a very needed conversation…

Don’t Buy Into the Myth of Human Progress

Sam Harrelson on January 29, 2016

Integral calculus, like theology, are areas we imagine we have forward progress as humans… not always the case.

“What is perhaps more surprising is the sophistication with which they tracked the planet, judging from inscriptions on a small clay tablet dating to between 350 B.C. and 50 B.C. The tablet, a couple of inches wide and a couple of inches tall, reveals that the Babylonian astronomers employed a sort of precalculus in describing Jupiter’s motion across the night sky relative to the distant background stars. Until now, credit for this kind of mathematical technique had gone to Europeans who lived some 15 centuries later.”

Source: Signs of Modern Astronomy Seen in Ancient Babylon – The New York Times

 

Are we sure Chancellor Palpatine didn’t write this?

Sam Harrelson on May 25, 2015

“Though imperialism is now held in disrepute, empire has been the default means of governance for most of recorded history, and the collapse of empires has always been messy business…Back then it was states at war; now it is sub-states. Imperialism bestowed order, however retrograde it may have been. The challenge now is less to establish democracy than to reestablish order. For without order, there is no freedom for anyone.”

Source: It’s Time to Bring Imperialism Back to the Middle East – ForeignPolicy.com

Yes, western imperialism and colonialism helped cause this mess. Surely there’s a better way forward than re-establishing such hegemonic (and veneer thin) powers in the region.

Dura Europos Looting and Devastation Update

Sam Harrelson on March 10, 2015

Tragic.

“There is a complete and massive change to this site,” Wolfinbarger says, comparing the pre-war images to those collected in 2014 of the renowned archaeological treasure.

British soldiers discovered Dura Europus in the 1920s. They hit on the wall of the ancient city while digging a trench during World War I. Excavation revealed a provincial Roman town founded in 300 B.C.

Brian Daniels, director of research at the Penn Cultural Heritage Center in Philadelphia, describes Dura Europos as “a snapshot in time.”

“It has the oldest synagogue known in the world and it also has one of the oldest house church known in the world,” Daniels says. “The level of looting and devastation that’s happened to Dura Europus is heart-breaking.”

via Via Satellite, Tracking The Plunder Of Middle East Cultural History : Parallels : NPR.

Dura Europos as a “Moonscape of Craters”

Sam Harrelson on March 4, 2015

More sadness regarding ISIS and looting at Dura Europos in Syria…

“I am fearful that there will be mass looting as in Syria,” said Katharyn Hanson, a fellow at the University of Pennsylvania’s Cultural Heritage Centre and a specialist in Mesopotamian archaeology, who is visiting Erbil. She says that Nineveh, Nimrud and other cities of the Neo-Assyrian Empire, which once stretched from the Gulf to the Mediterranean, will “become like Dura-Europos on the Euphrates, a moonscape of craters [from looters pits].” Dura-Europos is a Hellenistic city whose site used to be known as “the Pompeii of the Syrian desert”.

via Iraq: Isis militants pledge to destroy remaining archaeological treasures in Nimrud – Middle East – World – The Independent.

Dura Europos and Its Art

Sam Harrelson on March 3, 2015



Just received my 1938 first edition copy of M. Rostovtzeff’s Dura Europos And Its Art today. I’ve now been able to secure every first edition of books about Dura (outside of the Final Reports, which I’m working on).

Good day.