Rome’s Colosseum as a Garden

Beautiful thoughts here about modern architecture…

Rome’s Colosseum Was Once a Wild, Tangled Garden – The Atlantic:

Plants growing today in the Colosseum include very rare species like Asphodelus fistulosus and Sedum dasyphyllum, which scientists believe can only survive when sheltered by the arena, a sanctuary from the urban environment outside. Due to increased pollution and the rising temperature of the city, the flora inside the ruined walls are beginning to change: Plants suited to a warmer and more arid climate are beginning to proliferate at the expense of those more used to cool and damp.

The Digital Dark Age

Another reason you should be writing in your own space on your blog and notebooks…

Shining a Light on the Digital Dark Age – Long Now:

A false sense of security persists surrounding digitized documents: because an infinite number of identical copies can be made of any original, most of us believe that our electronic files have an indefinite shelf life and unlimited retrieval opportunities. In fact, preserving the world’s online content is an increasing concern, particularly as file formats (and the hardware and software used to run them) become scarce, inaccessible, or antiquated, technologies evolve, and data decays. Without constant maintenance and management, most digital information will be lost in just a few decades. Our modern records are far from permanent.

I Made the Smithsonian

One of my bucket list 🪣✅ items finally got checked off! Asia Has Claims Upon New England is in the Smithsonian!

Smithsonian Libraries and Archives

Harrelson, S. (n.d.). Asia has claims upon New England : Assyrian reliefs at Yale / Sam Harrelson. Smithsonian Institution. Retrieved December 29, 2022, from https://www.si.edu/object/siris_sil_869658

Inscription from Apollon Aksyros Temple in Saitta Returned to Turkey from Italy

An 1,800-year-old Lydian era atonement inscription was returned early Wednesday to Turkey, where it was smuggled 23 years ago and later found in Italy.

Source: 1,800-year-old artifact delivered to Turkey from Italy

News from long term litigation involving a private collection in Italy and the Turkish government.

When you tell your daughters that you collect images of Jonah and they send you one from a Basilica

Pretty cool kids…

It’s always been my conjecture that the Dura Europos Baptistry had images of Jonah present as a representation of the 3-day Resurrection event in a Jewish/Chritian context. There were depictions of Adam and Eve in the Baptistry area (along with Jesus as the Good Shepherd as well as other common representations from the Old Testament/Hebrew Bible in places such as the Catacombs in Rome).

Here’s an image of the Dura Baptistry from the original printing of Dura Europos and Its Art by Prof. M. Rostovtzeff (1938, Oxford Press)… one of my favorite books and possessions:

The top register includes a depiction of Jesus telling the disabled person by the Bethesda Pool to grab their cot and get up and walk off (John 5). It’s a terrific passage.

The amazing (and frustrating thing) is that the register literally flows the pool into a depiction of Jesus walking on water on the Sea of Galilee and getting Peter to hop out of the boat to walk towards him (Mark 6, Matthew 14, and John 6)… which doesn’t turn out well for Peter. The depiction here actually shows Peter sinking in the waves!

Here are the two panels we have with the earliest depictions of Jesus that we know of …

Dura Europos Baptistry Depictions of Jesus Healing the Paralytic and Walking on Water

While a grad student at Yale, I was fortunate enough to spend a couple of years working at the incredible Yale Art Gallery with Prof. Susan Matheson and the talented staff there. One of my “jobs” (it was more like dream assignments) was working in the basement to catalog the Dura Europos collection with digital photography. I got to see this fresco on a pretty regular basis and we became good pals. If I knew then what I know now…

However, the frustrating part is that the water continues to flow to the next register… which has been lost to history after the sack of the (then) Roman Dura Europos in 256-257 CE by Sassanians and subsequent abandonment of the fort / town and eventual disappearance into history before the complete looting of the site by ISIS over the last decade. It’s a sad tale and I had always hoped to travel to Dura and participate in a dig where we’d uncover the other pieces of the top register in the Baptistry that would almost certainly have included Jonah being regurgitated from the fish and therefore seal my case about Jewish-Christianity extending well into the 3rd and 4th centuries. Alas.

Again, Jonah shows up quite often in early Christian artwork and imagery as a signifier of the Resurrection (the Catacombs especially), but I always wanted to see what those genius artists who designed the Dura Europos Baptistry did with the rest of the panels and the water theme as they perched between the edge of the desert and overlooking the Euphrates River.

Roman Earthquake Cloaking

I tend to agree with the physicist from UNCC here that the Colosseum and other buildings that exhibit these “metamaterial” designs were probably self-selecting (in that they didn’t fall down during earthquakes), but we definitely don’t give the ancients enough credit with their engineering and scientific prowess…

Scientists are hard at work developing real-world “invisibility cloaks” thanks to a special class of exotic manmade “metamaterials.” Now a team of French scientists has suggested in a recent preprint on the physics arXiv that certain ancient Roman structures, like the famous Roman Colosseum, have very similar structural patterns, which may have protected them from damage from earthquakes over the millennia.

via Ars Technica

New Reading of the Mesha Stele

Potentially huge (I appreciate Thomas Römer‘s scholarship a great deal):

A name in Line 31 of the stele, previously thought to read ‘House of David’, could instead read ‘Balak’, a king of Moab mentioned in the biblical  of Balaam (Numbers 22-24), say archaeologist Prof. Israel Finkelstein and historians and biblical scholars Prof. Nadav Na’aman and Prof. Thomas Römer, in an article published in Tel Aviv: The Journal of the Institute of Archaeology of Tel Aviv University.

New reading of Mesha Stele could have far-reaching consequences for biblical history – Phys.org

Prehistoric Proto-Writing System

While studying some of the oldest art in the world found in caves and engraved on animal bones or shells, paleoanthropologist Genevieve von Petzinger has found evidence of a proto-writing system that perhaps developed in Africa and then spread throughout the world.

Source: Stone Age Cave Symbols May All Be Part of a Single Prehistoric Proto-Writing System

Introducing the Assyrians

 

Layard’s discoveries caused a media sensation and captured the public imagination. This had a major impact on painting and applied arts, in the UK and beyond, during the second half of the nineteenth century, which led to a brief phase of ‘Assyrian revival’. The Assyrian sculptures at the British Museum largely remain today where they were first installed over 160 years ago.

Source: Introducing the Assyrians – The British Museum Blog

My work, Asia Has Claims Upon New England: Assyrian Reliefs at Yale, covers the American reaction (primarily northeastern colleges meant to educate ministers such as Yale, Harvard, Williams, Union Seminary, Amherst etc) to “Assyriamania.”

The British Museum has an incredible collection of Assyrian artifacts, as does the Metropolitan Museum in New York. However, these small (at the time) colleges were also collecting Assyrian reliefs not just for academic study or curiosity but to prove a point about the Bible to the young men they were training for a life in the ministry.

It’s a fascinating story and I hope to revisit it and do more exploration into the missionary-minded impetus behind collecting and displaying these archaeological (and theological) pieces.

Btw, in “Asia Has Claims…,” I was able to work with Prof. Samuel Paley to produce a computer animation (way back in 2001) that more accurately depicted what the throne room of Ashurnasirpal II’s palace would have looked like (the one drawn in the 19th cent for Layard that’s at the top of this post was waaaaay off).

Sumer and the Modern Paradigm

Modern artists discovered Sumerian art between the world wars, at a time when British and American archaeological missions were working in southern Iraq. But archaeologists like Leonard Woolley, head of the mission in Ur were less fascinated by their finds. They considered Mesopotamian art inferior to Egyptian and to Graeco-Roman art and thought Mesopotamian iconography was an expression of a violent culture. Sacrificed bodies found at the Royal Tombs of Ur were the proof that the Bible was right about the Mesopotamian barbarism.

Source: – ANE TODAY – 201802 – Sumer and the Modern Paradigm

Show and Tell: Handling Art at the Wurtele Center

My time with the incredible finds from Dura Europos at the Yale University Art Gallery are some of my fondest memories…

Walking alongside the shelves, one can step from intricate African sculptures to ancient Greek vases to Chinese porcelain to a collection of Picasso ceramics. Opposite the entrance and behind glass display cases are a series of white, metal sliding shelves. They are filled with, among other things, wooden staffs, tea cups and wall fragments excavated from Dura-Europos, Syria.

Source: Show and Tell: Handling Art at the Wurtele Center

James C. Scott’s New Book

James C. Scott is one of the scholars I always enjoy reading. I was introduced to his work Domination and the Arts of Resistance: Hidden Transcripts while in a (wonderful) seminary class on the Parables. The insightful connection that our beloved professor made between Jesus’ acts and words in his performance of the parables with the essence of what Scott described as “public” and “hidden” transcripts still resonates with me today anytime I read the Gospels.

I’m excited to read this work as well. Although it seems to have a similar topic as many scholarly takes on the how’s and why’s civilizations collapse, (anyone else notice how both academic works, as well as the entertainment world, is fascinated by dystopias and doom-and-gloom in this Age of Trump?) one of my ongoing fascinations and points of interests is the rise of civilization in Mesopotamia as well as the later “Sea Peoples” of Egyptian history. It looks like both of these topics make an appearance in Scott’s new work:

What if the origin of farming wasn’t a moment of liberation but of entrapment? Scott offers an alternative to the conventional narrative that is altogether more fascinating, not least in the way it omits any self-congratulation about human achievement. His account of the deep past doesn’t purport to be definitive, but it is surely more accurate than the one we’re used to, and it implicitly exposes the flaws in contemporary political ideas that ultimately rest on a narrative of human progress and on the ideal of the city/nation-state.

Source: Steven Mithen reviews ‘Against the Grain’ by James C. Scott · LRB 30 November 2017

Grain counting technologies

“The truth, Scott proposes, may be the opposite. What if early civilization was not a boon to humankind but a disaster: for health and safety, for freedom, and for the natural world? What if the first cities were, above all, vast technologies of exploitation by a small and rapacious elite? If that is where we come from, who are we now? What possibilities might we discover by tracing our origins to a different kind of ancestor?”

via “What made prehistoric hunter-gatherers give up freedom for civilization?” by Jedediah Purdy in New Republic

In honor of #nationalpetday here’s a fun piece on pets from ancient Greece and Rome

roman_dogs

The ancient Greeks and Romans were more lavish than the modern world in their expressed affection for beasts. Theirs was a splendid opportunity to know animal life at first hand, not because there were more animals, but on account of the very close relationship effected by polytheistic principles and religious customs.1 Both literature and art attest that there were but few animals not dedicated to gods or goddesses; since religion penetrated ancient life so deeply, it is understandable that animals were freely admitted into the house, and gradually attempts were made to transform even the fiercer beasts into pets and companions.

Source: Greek and Roman Household Pets — CJ 44:245‑252 and 299‑307 (1949)

Digital Repatriation or Theft?

“I would point to some of the recent trends in 3D scanning as potential new sites for digital colonialism, not just repatriation.  Is prosecution of stolen code related to contested heritage objects a form of digital colonialism?  Is keeping the code private, accessible only to the museum or scholars who obtain access a form of colonialism?  Is publicly releasing the code while holding tight to the physical object reinforcing colonialism?  As this episode tells us, the materiality of these cultural heritage objects holds meaning that cannot be extracted into bits and bytes.”

Source: The Nefertiti Hack: Digital Repatriation or Theft? | Early Christian Monasticism in the Digital Age

Amazing piece of performance art and a very needed conversation…

Don’t Buy Into the Myth of Human Progress

Integral calculus, like theology, are areas we imagine we have forward progress as humans… not always the case.

“What is perhaps more surprising is the sophistication with which they tracked the planet, judging from inscriptions on a small clay tablet dating to between 350 B.C. and 50 B.C. The tablet, a couple of inches wide and a couple of inches tall, reveals that the Babylonian astronomers employed a sort of precalculus in describing Jupiter’s motion across the night sky relative to the distant background stars. Until now, credit for this kind of mathematical technique had gone to Europeans who lived some 15 centuries later.”

Source: Signs of Modern Astronomy Seen in Ancient Babylon – The New York Times

 

Are we sure Chancellor Palpatine didn’t write this?

“Though imperialism is now held in disrepute, empire has been the default means of governance for most of recorded history, and the collapse of empires has always been messy business…Back then it was states at war; now it is sub-states. Imperialism bestowed order, however retrograde it may have been. The challenge now is less to establish democracy than to reestablish order. For without order, there is no freedom for anyone.”

Source: It’s Time to Bring Imperialism Back to the Middle East – ForeignPolicy.com

Yes, western imperialism and colonialism helped cause this mess. Surely there’s a better way forward than re-establishing such hegemonic (and veneer thin) powers in the region.

Dura Europos Looting and Devastation Update

Tragic.

“There is a complete and massive change to this site,” Wolfinbarger says, comparing the pre-war images to those collected in 2014 of the renowned archaeological treasure.

British soldiers discovered Dura Europus in the 1920s. They hit on the wall of the ancient city while digging a trench during World War I. Excavation revealed a provincial Roman town founded in 300 B.C.

Brian Daniels, director of research at the Penn Cultural Heritage Center in Philadelphia, describes Dura Europos as “a snapshot in time.”

“It has the oldest synagogue known in the world and it also has one of the oldest house church known in the world,” Daniels says. “The level of looting and devastation that’s happened to Dura Europus is heart-breaking.”

via Via Satellite, Tracking The Plunder Of Middle East Cultural History : Parallels : NPR.

Dura Europos as a “Moonscape of Craters”

More sadness regarding ISIS and looting at Dura Europos in Syria…

“I am fearful that there will be mass looting as in Syria,” said Katharyn Hanson, a fellow at the University of Pennsylvania’s Cultural Heritage Centre and a specialist in Mesopotamian archaeology, who is visiting Erbil. She says that Nineveh, Nimrud and other cities of the Neo-Assyrian Empire, which once stretched from the Gulf to the Mediterranean, will “become like Dura-Europos on the Euphrates, a moonscape of craters [from looters pits].” Dura-Europos is a Hellenistic city whose site used to be known as “the Pompeii of the Syrian desert”.

via Iraq: Isis militants pledge to destroy remaining archaeological treasures in Nimrud – Middle East – World – The Independent.

Why We Should Care About Archaeological Destruction

This is terrible…

The Islamic State group released a video on Thursday showing militants using sledgehammers to smash ancient artifacts in Iraq’s northern city of Mosul, describing them as idols that must be removed, according to the Associated Press.

The destructions are part of a campaign by Islamic State, who have destroyed a number of shrines — including Muslim holy sites — in order to eliminate what they view as heresy.

via Islamic State Video Shows Militants Destroying Museum Artifacts in Iraq – Dispatch – WSJ.

While the world was watching the Academy Awards ceremony, the people of Mosul were watching a different show. They were horrified to see ISIS members burn the Mosul public library. Among the many thousands of books it housed, more than 8,000 rare old books and manuscripts were burned.

via ISIS Burns 8000 Rare Books and Manuscripts in Mosul – Yahoo! Finance

Let’s not forget that people of many faiths (ancient and modern) have used the defacement or destruction of art or cultural items as a way to “wipe the slate clean” of previous heresies. From Hatsheput to Josiah pulling down the high places in Israel to the burning of books, these tactics are power plays designed to show that the deity or deities are on one’s side in a presumed theo-political battle.

Lost in the fear that ISIS / ISIL / IS is imminently planning to attack the US is the cultural damage this collection of people are doing to museums and sites in Syria (Damascus, Antioch, Palmyra, Dura Europos) and northern Iraq (Mosul / Nineveh).

Specifically for the stories linked above, the modern city of Mosul sites very near Nineveh, the historical capital of the Assyrian Empire, at its height in the 9th-7th centuries BCE. Believe it or not, Assyrian artifacts caused quite a rage in the late 1800’s after Sir Henry Austen Layard’s discovery of Assyrian palaces in the 1850’s.

These artifacts directly impacted the development of the missionary movement as northeastern universities used these impressive pieces of art as proof of God’s providence (as the folks in Jerusalem were saved from Sennacherib’s invasion by God’s hand according to the book of Kings… the folks in the Northern Kingdom of Israel as well as Lachish were less fortunate).

While doing graduate studies at Yale, I somehow lucked into a dream job at the Yale Art Gallery. I was so fascinated by the Assyrian antiquities there and the story of why Yale, Harvard, Amherst, Williams etc were so passionate about securing Assyrian pieces for their own collections in the 1800’s that I wrote a book about it:

This accompanying text to the Yale University Art Gallery’s famed Assyrian reliefs details the 19th-century American frenzy for reliefs taken from Assurnasirpal II’s magnificent palace in Kalhu near the Tigris River. The discovery of the palace by the British in 1845 captured the Victorian public’s imagination, leading to the discovery of other architectural sites and the deciphering of the Assyrian language. Soon, American missionaries sought to procure artifacts for their alma maters, most often coveting reliefs that were religious in content. William Frederic Williams was one such missionary and former Yale faculty member. He, along with Yale Medical School graduate Henry Lobel, secured six slabs from Assurnasirpal’s palace, which were divided up between Yale, Amherst, and Union Seminary in Utica. Harrelson analyzes at length the two reliefs obtained by Yale. He touches on the technical aspects of the materials as well as the reliefs’ religious iconography, situating them within the palace as a whole.

via Asia Has Claims Upon New England by Sam Harrelson, Yale University Art Gallery

Along with the atrocities being done by groups such as IS to other humans, we should care about the destruction of irreplaceable pieces of world history whenever it happens. For those of us with a more jingoist mindset, we should especially care when these cultural pieces are directly tied to our own history and majority religion.

William F. Williams wrote back to his benefactors at Yale from the city of Mosul in the 1850’s that, “Asia has claims upon New England.” Perhaps that has never been more true in the modern context.

Thomas and I will definitely discuss this on the next Thinking Religion, so give that a listen if you’re interested.

I pray for peace.

Yale’s Religious Treasures

My masters degree in religion is from Yale, and it’s great to see the religious treasures there highlighted. However, I can’t believe the Dura Europos baptistry (from the earliest house church we’ve recovered and one of the first depictions of Jesus we have) didn’t make the list (the Mithraeum did, though… which is also spectacular).

Nevertheless, good read and makes me miss my days working in the Yale Art Gallery as a grad assistant…

In reality, this supposed bastion of elite godless education is teeming with people studying religion, teaching religion, and doing religion. Yale has a divinity school with a Christian identity, albeit a non-denominational one that welcomes students of other religions and no religions. It has two large chapels, the famed Battell Chapel on the undergraduate campus and the graceful Marquand Chapel at the divinity quadrangle. And Yale, a place that started out as a training ground for Congregationalist ministers (whose students included none other than Jonathan Edwards) retains to this day a dazzling array of religious treasures and relics, all publicly available.

via 15 Religion Treasures at Yale | Tom Krattenmaker.

Edge of Empires at Dura Europos

2014-06-21 18.56.35 2014-06-21 18.56.45 2014-06-21 18.57.11

Finally got my copy of Edge of Empires: Pagans, Jews, and Christians at Roman Dura-Europos.

It’s a fascinating and beautiful book (I actually took some of the photos in there during my time at Yale University Art Gallery when I worked on digitizing our amazing Dura Europos collection). I could literally go on and on about Dura (ask my wife), but here’s the Amazon description:

Strategically located high above the Euphrates River between Syria and Mesopotamia, the city of Dura-Europos was founded around 300 BCE by one of the Macedonian generals who succeeded Alexander the Great. Within a century, the Near Eastern Parthians overtook and controlled the city until the Roman emperor Lucius Verus captured it in 164 CE. Dura-Europos then thrived as a critical stronghold along the Roman imperial frontier until 256 CE, when the Sasanian Persians destroyed it. By the time of its demise, Dura-Europos was a city positioned at the commercial, political, and cultural intersections of the Mediterranean and Near Eastern worlds. Edge of Empires vividly illustrates the international and pluralistic character of Dura-Europos, highlighting objects that demonstrate the coexistence of multiple religions such as polytheistic cults, Judaism, and Christianity; the great variety of languages spoken by its population; and its role as an international military garrison.

Dura is like an old friend that teaches me new things all these years later.

Now I finally need to get duraeuropos.org off the ground 🙂

Meant to Struggle

abel

I love the Bible.

I’m a Christian and a person of faith, so that’s (supposedly) a given. However, I really do love what I consider to be this set of inspired texts that has influenced and shaped the development of our species to such an extreme level that it’s simply unimaginable to think what our current world would look like without what we’ve come to think of as the Christian Bible in our presence.

Perhaps if Paul hadn’t come along and literally opened up Christianity to those outside of 1st century Jewish faith while battling those who realized that Jesus and his immediate followers were not looking to establish a new religion outside of what was then considered Judaism, we’d still be worshipping the Roman gods. In some alternate universe perhaps that’s the case.

Regardless, history happened.

Which brings up the notion of history versus the past. I love history. I also love the past. Those are two different statements about two different experiences.

I have no idea what my grandfather had for lunch on April 9, 1964. However, I’m 90% sure that Grandpa Frank had lunch fifty years ago. I believe he had lunch. Did he have lunch? We’ve no idea. There’s no remaining receipts, my grandmother has no evidence, and there’s no way to prove that Grandpa Frank went to Central Drugs for a burger. But I’m pretty sure he did. The facts have not been lost to history, but they have been lost to the past.

History includes documentations. We can point to a certain date and event and show that something happened with certainty. The past are the things that came before us but that doesn’t necessitate them being a part of “history.” No one will really know that I had Bojangles this morning once my Bank of America receipt goes away (hopefully) and my own debit card’s record fades into digital abyss. I had Bojangles but that will be lost to the past in 2064 when my grandson wonders what I had for lunch on this day of April 9.

In the same way, my faith is true. As Kierkegaard pointed out, all faith is irrational and absent of historical veracity. If faith can be rationalized, it’s not faith but historically verifiable. Faith is weird. It’s absent of human constructs. It tugs at hearstrings and wrestles with us until dawn over the river Jabbok. Ultimately, faith renames us and changes us into something we weren’t before. It’s undefinable. That makes it scary and that makes it challenging for the types of preachers, ministers, churches and ideologies that seek to have concrete answers for everything that is questionable. Uncle Walt was right.

Perhaps that’s why I also enjoy reading Bart Ehrman’s writings and listening to his lectures on the Great Courses series via Audible. It’s also why I don’t understand why so many people feel threatened by his writings such as his latest book on the personhood of Jesus (as a character in the New Testament).

Here’s the foil…

I’m politically conservative. I should say, I have always vacillated between the pragmatism of Bill Clinton and the ideology of Ross Perot. I was going into high school during the fascinating election of 1992 and read everything I could including the two books that Perot “wrote” as well as books about Clinton and his famous campaign. In the aftermath of the Clinton administration and the subsequent Bush years, I’ve become more and more convinced that both political parties in our country serve the same master (money for the players of the game) and have little regard for citizens.

As a former member of AmeriCorps who is a self described libertarian who can’t stand the religious right of politics but is anti-abortion yet anti-death penalty while being a small government pragmatist but wants to provide for all children who need healthcare and 3 meals a day… I don’t know where to go.

I’m not blue or red or progressive or … labels fade away. As they should.

I find solace in the person of Jesus. In my mind, that person wasn’t some sort of gnostic demi-god that didn’t struggle on the cross. My Jesus was a person that asked for the cup to be passed, that sweated blood, that cried real tears, that cursed, swore, got angry, spit, and felt abandoned when he looked down from the cross while realizing everything he had worked for was lost. My Jesus is the Jesus that ends with the original version of Mark where there is no nice and clean commissioning and we are challenged to spread the message and participate in the paranoia of the women who found the empty tomb.

Ultimately, my Jesus is the Jesus who was not raised because there was a historically verifiable empty tomb (something no Gospel claims) but claims a risen Jesus based on the experiences that followers have on roads and beaches days, months, and years after his death.

I will not read the Bible as literature like a piece from Shakespeare, nor will I submit to the yoke of biblical reader response (despite my Masters Degree from Yale being in “Religion and Literature). Similarly, I will not read the Bible as a piece of historical documentation of any part of the past as it is something entirely different. Our culture is too monochromatic and doesn’t allow for the multivalency of the Bible, let alone the creation accounts or the stories about the flood (go read your Bible… there are more than one of each).

So let’s actually read our Bibles and not just listen to preachers. Let’s “hear the words that Jesus said” (Johnny Cash) and let’s be troubled by them. We as humans, however great we are, were meant to struggle.

Writing on the Wall

I definitely just ordered Writing on the Wall as it combines two of my favorite things… the social internet and anthropological archaeology…

Papyrus rolls and Twitter have much in common: They were their generation’s signature means of “instant” communication. Indeed, as Tom Standage reveals in his scintillating new book, social media is anything but a new phenomenon. Cicero’s web is just one of many historical antecedents of today’s social media. Other prominent examples include the circulation of letters and other documents in the early Christian church; the torrent of printed tracts which circulated in 16th-century Germany, triggering the Reformation; the passing from hand to hand of gossip-laden poetry in the Tudor and Stuart courts; the duelling political pamphlets with which Royalists and Parliamentarians courted public opinion during the English Civil War; the first scientific journals and correspondence societies, which enabled far-flung scientists to discuss and build upon each other’s work; the handwritten poems and newsletters of pre-Revolutionary France, which spread gossip from Paris throughout the country; and the revolutionary pamphlets and local papers that rallied support for American independence. Such social-media systems arose frequently because, for most of human history, social networks were the dominant means by which information spread, in either spoken or written form.

via Writing on the Wall | tomstandage.com.

Wow.

Reconstructing Ancient Greek Music

Ancient_Greece_Music_Lesson

After studying attic and koine Greek for years in college and graduate school, I always wondered what their sing-song language would have actually spoken if I could have “Bill and Ted’ed” it back into ancient Greece.

This is pretty amazing…

One of D’Agour’s colleagues, David Creese, from the University of Newcastle, managed to play a song inscribed on a more than 2,000-year-old marble column. The tune is credited to Seikilos, and Creese played it on a zither-like instrument he constructed. 

via Classicists Reconstruct the Sound of Greek Music – Archaeology Magazine.