Eyes of the World and The Spiritual Discipline of Paying Attention

One of the hardest spiritual disciplines (for me at least) in the modern world is simply “paying” attention. I’m not sure why we use the word “pay” here. Interesting etymology if you’re into such things, though.

Not productivity. Not efficiency. Not the curated forms of “mindfulness” from TikTok and Instagram influencers that often end up just another optimization technique. I mean something simpler and more ancient with the slow, patient act of noticing the world around us.

Early this morning, before most of the neighborhood was awake, I stepped outside with my coffee for a brief moment and stood quietly in the backyard. The woods behind our house here in Spartanburg were still mostly gray from winter, and the time change has our morning hours dark again. The forest floor is covered in the same brown leaves that have been gathering there for months now, slowly breaking down into the soil and composting into new things that will soon be green while the billions and billions of microbes in the soil go about their work.

But if you linger for a few minutes, small changes start to appear. A shift in birdsongs, a few red maple buds are even beginning to emerge. The subtle warmth of the air that wasn’t there two weeks ago as our planet tilts and wobbles (in this part at least) back towards our closest star.

None of this is dramatic. Most of it would pass unnoticed if you were scrolling your phone while walking across the yard. But that quiet shift is exactly the sort of thing that attention makes visible.

Maurice Merleau-Ponty once suggested that perception is not a passive reception of information. It is a relationship. We do not simply observe the world from a distance. We are entangled within it, bodies among bodies, participants in a shared field of experience.

That idea alone is enough to challenge the way many of us move through our days. Because modern life trains us almost constantly to disengage from that relationship and look down at that black slab of glass, with components extracted from the planet in unscrupulous ways, all in the name of having us pay attention to it to extract our human data.

We move quickly. We skim. We multitask. Our devices offer an endless stream of stimuli that reward speed over depth. Even our forms of entertainment are often designed for rapid consumption and never-ending video loops that tickle our hippocampus (or amygdala).

But the living world does not operate at that pace.

To perceive it well requires something closer to patience.

Edith Stein, writing about empathy in her early phenomenological work, argued that encountering another being is never simply a matter of gathering data. It requires a kind of openness… a willingness to allow the presence of another to disclose itself gradually. That insight is usually discussed in the context of human relationships, but it applies just as much to the more-than-human world.

A tree does not reveal itself all at once. Neither does a landscape. And certainly not a season.

Anyone who has spent time listening to the Grateful Dead knows something about this kind of attention. Their music often unfolds slowly, building through long improvisations that only make sense if you are willing to stay with them. A song like “Eyes of the World” (my fav version) doesn’t rush toward its conclusion. It wanders, explores, returns, and gradually reveals patterns that were invisible at the beginning.

The same could be said of Wilco’s quieter moments. Songs that feel almost fragile at first listening begin to open up if you give them time.

Willie Nelson, in a completely different musical tradition, once described his phrasing as intentionally relaxed… letting the melody stretch and bend so that the listener has space to hear what’s happening between the notes. It’s fascinating to see Willie Nelson perform live because (like Dylan), his phrasing morphs and shifts and relaxes rather than sticking to a script like so many pop culture stadium shows today.

That space between the notes is where attention lives.

Carl Sagan famously wrote that we are a way for the cosmos to know itself. It’s a beautiful line, often quoted for its sense of wonder. But it also carries a kind of responsibility.

If the universe becomes aware of itself through conscious beings like us, then our capacity for attention matters. The quality of our perception becomes part of the story of the cosmos itself.

And yet the ecological crisis we face today might be understood, at least in part, as a crisis of attention.

Species disappear quietly while rivers change course slowly, often not due to their natural inclination but human direction, and soils degrade over decades as we extract nutrients for monocrop agriculture.

These processes rarely produce the kind of spectacle that captures headlines or social media feeds. They unfold in subtle ways that are easy to ignore if we are not paying attention.

The result is that by the time we notice something has changed, the transformation has already been underway for years.

Ecology, at its root, is simply the study of our home. But to study a home well, familiarity is required. It requires noticing seasonal rhythms, life patterns, and the relationships between species and place.

In other words, ecology begins with attention.

Theologians have long understood this, even if they used different language. Many monastic traditions described attention as a form of prayer. Simone Weil famously suggested that “attention is the rarest and purest form of generosity.”

To pay attention is to offer the world the gift of your presence… not as a detached observer, but as a participant within a living system of relationships. That might sound abstract, but it often begins with very ordinary practices.

Standing quietly in a backyard at dawn.

Learning the names of the trees in your neighborhood.

Listening to birds long enough to recognize the difference between their calls.

Watching how the light changes across the same patch of ground throughout the year.

These acts do not solve the ecological crisis, but they do something equally important. They restore our capacity to perceive the world we are trying to care for.

Because it is difficult to love what we do not notice, and it is impossible to protect what we have never truly seen. In the end, the spiritual discipline of paying attention is not about mastering a technique. It is about learning, slowly and imperfectly, to inhabit the world more fully. Like a good song that reveals itself only after repeated listening.

Or the first subtle signs of spring that appear quietly in the woods, long before the leaves return.

The world is always speaking.

The question is whether we are willing to listen.

“Wake up to find out that you are the eyes of the world
But the heart has its beaches, its homeland and thoughts of its own
Wake now discover that you are the song that the morning brings
But the heart has its seasons, its evenings and songs of its own…”

Be Not So Fearful

A sticker given to me by a student from my notebook, which I carry everywhere

I remember sitting in my apartment in New Haven, CT, and watching I Am Trying to Break Your Heart for the first time. I was (am) a fan of Wilco, and the documentary covering the making of Yankee Hotel Foxtrot (and the remaking of Wilco in the face of all sorts of adversity) was powerful. I was a naive 23-year-old grad student at Yale Divinity and full of my own anxieties about what the future might hold and where life might lead, so this particular scene where Jeff is signing (another) record deal to get YHF released shortly after their original label dropped them because of the band’s insistence on putting out what would become the best album of the 21st Century so far seemed like a clarion call to me.

Particularly this song… what was this song, I wondered??

I wish I could go back and tell Young Sam that everything would turn out well despite life’s inevitable ups and downs and my lingering anxieties about the past, present, and future (and social situations). I tried to pass that on to my children and my students in the almost 20 years of classroom teaching as well, and hopefully those seeds will find good soil.

I didn’t give up the pursuit to find “that song” after hearing Wilco perform it live a few times and eventually tracked it down to Bill Fay, who composed and recorded the original version back in the early 70s. I just read this morning that Fay passed away in February of this year. That makes me sad, but also uplifted, because his music, especially this song, has touched so many of us over the years.

Those seeds found good soil in my head canon. I’ve been changing diapers for my children since 2007, and I can’t tell you the number of times I’ve sung this song to them while doing so (including this morning). I have had big moments in meetings, in the classroom, before a speech, after a business call, etc., and this song is what I’d call my mantra for centering myself when those anxieties creep in and try to steal the moment. I can’t remember preaching a sermon when I didn’t at least hum the tune while getting my robe on before service.

I’d like to think that most of us have something like this song in our lives that brings us back to ourselves in moments of fear, doubt, loathing, or anxiety. I’m not sure if it’s cognitively the best long-term fix, but it has worked for me in the last 23 years since originally hearing Tweedy strum the tune while surrounded by tired and exhausted bandmates.

Thank you, Bill Fay. Thank you, Jeff Tweedy.

Wilco at Asheville Yards May 16, 2025

Merianna and I were able to visit Asheville this past Friday and see Wilco play at Asheville Yards Amphitheater (previously Rabbit Rabbit on Coxe Ave). It was a hot and muggy afternoon and start to the show, but a cool breeze arrived as the sun departed, and it turned out to be an amazing evening of music and fun (despite us getting stuck in the parking garage for about an hour after the show). Wilco has long been my favorite band and I’ve seen them more times than I can count over the years (going back to 2001), but this was a really special experience since it was Merianna’s first Wilco show (and it being in Asheville).

So many early gems and newer songs I’ve not heard live (Quiet Amplifier especially)!

And here’s the setlist:

Company in My Back
Evicted
Handshake Drugs
I Am Trying to Break Your Heart
If I Ever Was a Child
Meant to Be
War on War
Quiet Amplifier
Hummingbird
Bird Without a Tail / Base of My Skull
Via Chicago
Love Is Everywhere (Beware)
You Are My Face
Whole Love
Either Way
Impossible Germany
Jesus, Etc.
Box Full of Letters
Annihilation
Heavy Metal Drummer
I’m the Man Who Loves You
Encore:
California Stars (with Waxahatchee)
Falling Apart (Right Now)
I Got You (At the End of the Century)

Ark Moments

The Beatles arrived in NYC for the first time 61 years ago. I’ve been a big fan since I was a young person in rural South Carolina, intent on making my southern accent disappear by listening to too much of their music (along with David Bowie, Led Zeppelin, and Tom Petty’s Florida / California twang). I miss that accent now and wonder what I would sound like had I not tried to match McCartney’s pitch or Lennon’s subtle phrases all those hours in my bedroom with a ceiling that I painted black (thanks to the Stones).

It’s also the re-release of Wilco’s album a ghost is born. I was 25 (almost 26) when the album was released in 2004. The songs sound much different now than they did in my hazy memories of 25. Now, as the dad of five young people and after a 20 or so year stint in the classroom as a Middle and High School Teacher scattered with some adjunct university teaching, there’s an earnestness of trying to preserve something that comes through. Tweedy called the album an “ark” (in the Noah or Utnapishtim or Atrahasis sense) of such as he was in a bad spot at the time and thought it might be his goodbye. He wanted to preserve some of his better parts for his children. There are panthers, hummingbirds, a muzzle of bees, spiders, a fly (and he re-explores Noah’s ark in his future as well),

I didn’t pick up on that as a 25 or 26 year old. I get it now as a 46 year old.

I like to stand outside with a black walnut tree on the property we share and reflect on things after getting the little ones off to school. I’m thinking of ark moments this morning and wondering what the black walnut will take with it after our human family here has moved along down the paths of life and death. I wonder why or when it had a few of its limbs chopped off to afford a powerline that runs adjacent to our property. I wonder if any other children have ever climbed the walnut or hung a tire swing on its limbs before. I wonder what it thought of Helene or if it even did.

All of these ark moments that we hold dear ebb and flow with time and yet we say that our souls remain.

Or as Tweedy sang, “theologians, they don’t know nothing about my soul…”