Bring Back RSS

I’m admittedly from a generation that grew up with a web that didn’t include Facebook, Twitter, Instagram or even Google. I look back fondly on the early 2000’s when we all had our own blogs and shared thoughts and pictures and quotes there.

I was just reminiscing about blogrolls this week with a client as we reminded ourselves about the joy of finding new and interesting people to subscribe to because of a link on a blog that we liked. Of course, there was Blogger and Live Journal and then Flickr and the rise of Google and MySpace and eventually Twitter and Facebook arrived in 2006. But for a while, it was a magical time not ruled over by corporate content silos… in my mind at least.

That’s a major reason why I still blog and share thoughts and links here. I’m not going to convert anyone but maybe I’ll share some of that old time religion. There’s incredible freedom and a sense of adventure to having your “own” site. Try it, rather than just relying on Facebook, Instagram, and Twitter.

Fun read here:

“For those of you born into the siloed world of the centralised web, RSS is an ancient technology from Web 1.0 (“the naïve Web?”). Like most things back then, it does what it says on the tin: it enables you to easily syndicate the content of your site. People interested in following your posts subscribe to your feed and receive updates using their RSS readers. There is no Twitter or Facebook in the middle to algorithmically censor … ahem … “curate” your posts.”

Via on Aral Balkan’s blog

Welcome back, serifs

I’m a font nerd. I’m constantly working with (and sometimes against) clients who want a particular “look” for their website or app or presentation and trying to push them to look ahead. One of those conversations typically has to do with fonts.

One client I didn’t have to fight with was Guy Sayles. His new site is one of my favorite designs I’ve done in a long while. Part of that has to do with the font Adamina that was used for headlines. It’s whimsical and full of motion but also conveys wisdom and experience. It reminded me a great deal of Guy’s personality, so I had to use it. I think it looks just beautiful on the new From The Intersection site, and I’m glad he trusted my push to use a serif font for the design. We just launched the redesign this week.

The “design world” has been quickly re-adopting serif fonts for ads, apps, and websites over the last couple of years after they were mostly maligned in the early to mid 2010’s. However, as “mid-century modern” has come back into vogue stylistically for furniture and dress, we’re seeing the resurgence of serifs.

I installed iOS 12 betas on my iPhone and iPad this week for testing, and low-and-behold there are serifs! Apple is famous for its attention to detail and its use of Helvetica and then its own San Francisco font. Apple lead the way on San-serif fonts (such as the body text here), so it’s wonderful to see the serifs returning to apps like the renamed Apple Books (formerly iBooks), which makes sense. Apple has even created a new font titled “SF Serif” to mark the occasion.

So, keep in mind that even though you might think you know what “modern” is, there’s always a corner to turn. Find a good guide. And never ever use Comic Sans or Impact. For anything.

A few images from my Apple Books collection showing the new font:

Overwriting Monuments with AR

I do think augmented reality and voice-first computing (Siri, Alexa, Google Assistant etc) will get us out behind computer screens and keyboards and into the “real” world. What “real” means is subjective, and that will only intensify in the coming decades as computing comes full circle to being something that we naturally do with our voices and thoughts and without the need for a keyboard and mouse.

Now we just need a good pair of AR glasses from Apple or Google or some startup we haven’t heard of yet that’s working hard in a garage to change the world…

Last year, Movers and Shakers assembled a team of coders, artists and designers who use augmented reality technology to do their work. Their goal was circumvent the city’s decision by replacing the statue and similar monuments with digital ones of other historical figures — namely, people of color and women. “I think we have an opportunity to harness the storytelling capabilities of this technology,” said Glenn Cantave, founder and lead organizer, when explaining the group’s motivations. “Who’s going to own our narrative?”

— Read on theoutline.com/post/5123/movers-and-shakers-digital-sculptures-new-york-city

Google To Start Marking Sites Without HTTPS as Not Secure in July

If your nonprofit, church, or business website isn’t https:// with a reputable SSL certificate, Google’s Chrome browser update will start showing a warning message when visitors arrive. This will affect your site’s trustworthiness.

Get in touch if you need help or what to know more. You can also read a great take (and much needed insight) on this from blogging and podcasting visionary Dave Winer here.

For the past several years, we’ve moved toward a more secure web by strongly advocating that sites adopt HTTPS encryption. And within the last year, we’ve also helped users understand that HTTP sites are not secure by gradually marking a larger subset of HTTP pages as “not secure”. Beginning in July 2018 with the release of Chrome 68, Chrome will mark all HTTP sites as “not secure”.

— Read on security.googleblog.com/2018/02/a-secure-web-is-here-to-stay.html

urgency trumps understanding

There’s some sort of metaphor in the story of these two photos of the Earth from the moon’s surface; one low-resolution and one high-resolution, one broadcast at the moment and the other only decoded by volunteers some forty years after the fact. It’s hard to see and transmit what’s happening right now clearly, no matter what kind of equipment we’re using; urgency trumps understanding.

Source: 👀 Noticing: The Big Picture. 06/22/2018

Noticing is a great newsletter that you should subscribe to put together by Jason Kottke who has run one of my favorite sites/blogs for 20 years.

melomaniac

I’d be ok with this diagnosis.

English melo- (prefix meaning ‘music’) (from Ancient Greek μέλος (mélossong; melody, tune)) +‎ -maniac (from French maniaque, from Late Latin maniacus, from Ancient Greek μανιακός (maniakós), an adjectival form of μανία (maníamadness; mad desire, compulsion), ultimately from Proto-Indo-European *men- (to think)).

Source: melomaniac – Wiktionary

Introducing the Assyrians

 

Layard’s discoveries caused a media sensation and captured the public imagination. This had a major impact on painting and applied arts, in the UK and beyond, during the second half of the nineteenth century, which led to a brief phase of ‘Assyrian revival’. The Assyrian sculptures at the British Museum largely remain today where they were first installed over 160 years ago.

Source: Introducing the Assyrians – The British Museum Blog

My work, Asia Has Claims Upon New England: Assyrian Reliefs at Yale, covers the American reaction (primarily northeastern colleges meant to educate ministers such as Yale, Harvard, Williams, Union Seminary, Amherst etc) to “Assyriamania.”

The British Museum has an incredible collection of Assyrian artifacts, as does the Metropolitan Museum in New York. However, these small (at the time) colleges were also collecting Assyrian reliefs not just for academic study or curiosity but to prove a point about the Bible to the young men they were training for a life in the ministry.

It’s a fascinating story and I hope to revisit it and do more exploration into the missionary-minded impetus behind collecting and displaying these archaeological (and theological) pieces.

Btw, in “Asia Has Claims…,” I was able to work with Prof. Samuel Paley to produce a computer animation (way back in 2001) that more accurately depicted what the throne room of Ashurnasirpal II’s palace would have looked like (the one drawn in the 19th cent for Layard that’s at the top of this post was waaaaay off).

Viking Color Palette

Well now I think this blog needs a visual overhaul (we Harrelson’s do come from the Vikings after all):

Archaeologists and chemists have now studied colour use in the Viking Age based on the chemical analyses of pigments from a number of objects and a review of existing information on the topic.

These colours are now available to all in the form of a colour palette: A Viking paint chart.

— Read on sciencenordic.com/how-decorate-viking